MONOLOGUES

4 WEEKS | ONLINE

I left class feeling confident, excited, and ready to go!
—Eric Cheng, New York Actor

ABOUT MY MONOLOGUE TECHNIQUE
The technique includes Directing, Acting, and Audition technique. I show you how to DIRECT your monologue—create fun, specific staging that tells your story and  is fun to do and fun to watch. Your nerves will decrease because your body will know what to do at each moment. Your staging can then be adjusted to any size performance—from theater to self-tape. When you know your monologue is specifically directed, you can really let go and ACT your monologue. We use elements of the Practical Aesthetics acting technique that show you how to act a monologue with truth and connection—even without a partner. AUDITION technique empowers you to handle every non-acting moment of an audition—entering the room, slating, chatting, and exiting—with confidence and ease. This is the authentic skill set you need for auditions, and also for interviews, public speaking, and walking the red carpet.

P.S. All these callbacks are from EPAs where I had to do a monologue. Your class works.
—Amanda McCallum, New York Actor

MONOLOGUE CLASS OUTCOMES
• Finish with up to 4 great new monologues
• Learn my complete technique and take it with you
• Learn how to choose great material that shows what you can do
• Develop confidence and ease in all of your non-acting audition moments

CLASS FEATURES
• 8 actors max per group
• Everyone works in every class
• Unlimited feedback on your monologue choices before class starts
• Unlimited support between classes on your monologue progress—you can send me monologue text, choices, or video for feedback any time while class is in session.

I learned more in your monologue class than I have learned in entire semesters taking other classes.
—Michelle Peterson, New York Actor

KAREN KOHLHAAS is a founding ensemble member of the Atlantic Theater Company and a senior teacher at the Atlantic Acting School. She teaches her own online classes in monologues, cold reading, scene study, and directing, and is the author of three books on monologues and auditioning. She was named Best NYC Monologue Teacher and Best NYC Cold Reading Teacher by Backstage Readers. Full Bio.